My wool work embroidery exhibition “Following a thread” was opened
on the evening of February 24th with well-chosen words from Polly
Devlin. I’m told the evening was a roaring success by those who know about
these things. To go by the genuine comments of marvel and wonderment of my
stitching during that evening and what I’ve heard since I have to believe that
it is true, those viewing my work and who are the type to voice an opinion seem
all to be enthusiastically positive. The comment “these are amazing!” came from
the far corner of the gallery as a middle aged man in long raincoat spoke to no
one in particular but all within ear shot. He later congratulated me with a
sense of real joy and said he would most definitely be back.
I’ve spent a couple of days each week in the gallery talking
to visitors stitching when possible and signing books and it has be very
satisfying to hear all that has been said. The first evening when returning
back to friends by bus it hit me, the culmination of three years’ work in
virtual isolation and the intensity of that effort spilled over into tears; the
times I caught myself thinking I must show a particular piece to my mother like
all children do when they recognise an achievement in whatever medium. There
are so many people no longer with us who I know would have loved to have seen
this work. There is no call for praise but when a young punk says “respect due
man” my chest swells. Who would think that woolly biblical illustrations could
provoke such reaction and yet when I look back on the extra ordinary amount of
hand stitched work even to me it seems jaw droppingly remarkable that I could
have done it. The most often voiced comment is you must have tremendous
patients and I have to reply no, anyone who has been in a queue with me whether
that be traffic jam or supermarket checkout will know I have a very low
threshold for the non-creative but for the process of creation thankfully I have
that patience in abundance. I also have
to reply in the negative when people ask me if I am religious as in having a belief. I suppose not believing
in God could in itself be regarded as a belief but there is disbelief in their
voices that anyone who has created such time consuming and intense “Old
Testament” images was not driven in some way by a religious faith. The only
faith I have is in knowing that I have the creative drive required within me to
complete the task. Yesterday I gave an hour long talk to a packed audience in
the gallery and at the end one woman took it on herself to thank me and there
followed a round of applause, so from that and many other comments I take it
that the talk was a success.
None of this would have come about if it had not been for
the encouragement of my good friend Deidre Mc Sharry who skilfully managed to
convince the Victoria Gallery to give me a show. It dawns on me that they too
must have recognised a talent that over rid the need for qualifications when
they didn’t question the fact that I possessed not even “O” level art. Proof if
proof be needed that in these days of becoming indebted by further education
there is, certainly within the art world nothing like simply getting on with it
and doing the work.
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