MARRIAGE OR MURDER.

 

17^th April. Peat cutting with Tottie.

Tom.

Considering it was such a beautiful afternoon I thought I’d ask Tottie to join me out on the moor for a spot of peat cutting. I fully expected her to say she was far too busy with her novel, but no she jumped at the chance to get out of the studio. Maybe inspiration wasn’t flowing, or being inside on such a perfect day had dried up the creative juices.

The top section of the bank had already been cleared of turf so we got straight into cutting. That was me up top cutting and Tottie down at the peat face throwing. Turned out she was natural, you would have thought she’d been throwing since childhood. I would never have thought it, but she was like a duck to water, and no gloves. I didn’t like to say anything, but she’ll be needing some hand cream tonight. She was hurling them out as quick as I could cut them, and although I deliberately kept them a bit on the slim side I was soon cutting normal sized peat with a few stonkers to see what would happen. She seemed to rise to the challenge, and away they went a good three meters or more landing perfectly alongside the previous ones. We cut and threw 260, my usual being 200, but during that time I only heard once that familiar flop of one peat landing on another, her accuracy was that of an expert. I may yet have to marry her, you wouldn’t want to let a peat thrower of that quality slip through your hands. As usual she had her phone with her and took one of me looking suitably knackered, but when I suggested I should take one of her she refused point blank. “Not without my face on”. I’ll never understand women who need to put their war paint on every day. At least with Tottie it’s not an everyday occurrence, and I prefer the honesty of the natural look.

Tottie.

Tom invited me to join him in a spot of peat cutting this afternoon. He certainly knows the way to a woman heart, such a romantic, how could I resist. There was no instructions from him, but the lack of criticism seem to suggest I was doing a reasonable job. I rarely hear any compliments from Tom, so after half an hour, when he said “that’s a brilliant job” I nearly lost my footing in the slimy base of the trench. I must say I rather took to it and I soon found that if I kept my eye on the place I wanted the peat to land it more often than not hit the spot. I could have kept going a lot longer, but Tom tires easily these days. Maybe next time he’ll let me have a go at cutting, although I hear that’s a job usually done by the men. Well I suppose that figures, it does look a lot easier than throwing. I’ve always thought we were the stronger of the sexes, but just how we allowed ourselves to become the work horses of men evades me.

 

April 20^th

Tom. That bloody woman, she’ll be the death of me. Invades my body, literally takes it over at times. She’s changed the shape of it entirely. There’s definitely a lot more of me, and practically all of it is fat. How do women exist in such a form? We all know about the bingo wings, but what’s the stuff on the inside of your legs for. Just as well it’s soft and smooth, for if it was sand paper I’d be sparking at every step. Allowing her out on the moor was a big mistake, although at the time it felt so good to see those peats flying through the air. It didn’t dawn on me that it would be me who had to pay. It’s been four days now and I still feel like there’s a knife about to cut me in two, and then just when I least expect it, it does just that, felling me as my legs crumple. So, now any notion of marriage is out the window, and murder would seem more likely. My days have been spent either in bed or sitting stitching, and even that has proved tricky. So, I’m glad I decided to move a bed into the studio, it seemed the only solution and what better final resting place. Getting in fuel for the little stove is still a nightmare. I will have to fabricate something on wheels, but for now small quantities in a bag for life is working. Stitching has slowed down, however I am making progress with the latest of Rodel. I wanted to include the church, and in doing so have produced something that looks more akin to a walled Buddhist monastery in Himalayas than a church on Harris.

 The harbour walls are of stone and that has meant a more random stitching and varying colours from the seaweed fringe to the sun-bleached silver granite. There’s a long way to go yet but having already framed up ten works I feel there is enough for an exhibition this summer. I would have liked them to have been seen on the island, but I fear that won’t be possible as they are due to go south at the end of May. The December exhibition at An Lanntair is ever present in my mind and to that end the second Victorian dolls house is reaching completion. There are days when I exist only in miniature, and night when dreams seem to have slipped sideways into a bazar Alice in wonderland kind of reality that is further enhanced by the return of a heavy head cold.  

 

               

 

 

 

 

         

 

      

 

           

 

 

 

LIVING WITH TOTTIE.

 Tom

Tom.

I suppose it’s only to be expected, that every time I have a booster implant of female hormones she seems to push her way to the forefront of my consciousness. I hadn’t heard from her for a couple of months and it seemed that perhaps I had left her back on a beach in Western Australia. I could well see how that climate would suit her, and while I remained cool and calm drinking in all the emotions of the familiar revisited, she was constantly telling me to look at this plant or that bird. I understood her excitement of hearing a kookaburra for the first time and her delight at the chorus of magpies that came to the back door each morning and sang for their porridge oats. She must have taken thousands of photos, while I found solitude in my sketchbook.  Leaving was way beyond difficult and I don’t think I was much of company as I retreated into a protective shell of silence. I’m sure I’m not the only one who is crap at goodbyes. Arriving back in the UK at the end of January was like being hit in the belly with a wet fish, but once again it was the constancy of my work that saved me. I had in my little bag three needle works that required stretching and framing and a fourth well on the way to completion. They are all destined along with others for another London show this summer. The latest series of piers and ports of Lewis are I think some of my best work to summer. The latest series of piers and ports of Lewis are I think some of my best work to date, and there are days when I think I could even be considered to be an artist.

.

Late February was kind and for once the magnolias flowers in my brother’s garden remained unblemished, the purest of white against clear heavenly blue skies.

In early March the drive north started crisp and dry, the van already half full with stuff and another doll’s house project collected en-route. As if I didn’t have enough projects this year. When finally I opened my front door it felt cold and damp, and it took a good week of the Rayburn being lit before things started to feel normal.  

   No sooner had I arrive back than the gallery in London were asking if I could construct a bespoke box for the £2000 tea cosy they had sold. I’m not sure if this is some sort of record for a tea cosy, but it must certainly be a record for a cosy made from recycled Harris Tweed yarn. It just goes to show that if you put in the hours, and push the limits of accepted expectations, then anything is possible. The weather has been glorious and by rights I should have finished peat cutting, but it is clear I will once again need to call on friends for a helping hand. Tottie refused point blank when I suggested she might enjoy a few hours out on the moor, couldn’t risk ruining those beautifully manicured nails. Shame, since I think like most women she would have been really good at throwing peats. She seems to expend her creative energy in writing, although how she can do that while listening to Celine Dion I can’t imagine. The diva it transpired has to be played at full volume. Fortunately my stitching doesn’t require total silence. Gardening has been a delight and the recent fine spell has meant contented days of pottering around, while Celine is well and truly muffled by the double glazing of the studio. Living with Tottie has been somewhat of a challenge. You see that’s the thing with Tottie there are no half measures. When she left for Australia she gave up renting her flat and now thinks it’s just fine to shack up with muggins, in the same bed for God’s sake! Talk about hot flushes. She really isn’t much good around the house either, although she has made a great effort in the bathroom and religiously removes all her stuff after she’s been in there titivating. I suppose it’s so small there really is no place for all those lotions and potions. Tottie is not what you’d call a practical person and the best she can do is stay out of my way.

 

Tottie.

 I can’t believe this weather. Here was me ready to be plunged into dull wet days on my return, and for the past couple of weeks it’s been clear blue skies. I thought that might have put Tom in a better mood, but he’s so touchy and argumentative. I suppose I should be grateful for roof over my head, but then he can hardly chuck me out. We did however agreed that at bedtime a truce of any hostilities would be declared, but now he’s installed a single bed out in the studio. Says it’s in case he feels tired during the day, but he’s sleeping out there! And just what sort of a truce is that? I’ve started a series of short stories, and I have an idea for a novel with a certain element of magic realism. For now though I thought you might enjoy this non PC shorty, which incidentally has nothing to do with Tom’s recent increase in girth.

                 THE FAT MAN.

All eyes were on the fat man. His rotund form had long ago ballooned both above and below the waste, totally enveloping the hand crafted leather belt, and leaving the mountainous gut marooned above the lower foot-hills of rolling thighs. This was serious obesity on a scale that fully merited the "fat bastard" label that was passing through the minds of the passengers waiting for the Jetstar flight number JQ803 for Sydney. The Fraser Coast and Hervey Bay in particular had a lower than average obesity problem, which only served in highlighting this particular wobble bottom lard arse. The massive bulk lumbered across the waiting area struggling with his seemingly disproportionate hand luggage case on wheels that swung out of control like a deflated spinnaker alongside the full wind-blown sails. His stumpy arms rode out at an angle of forty five degrees over the burgeoning rolls of fat, dangerously over inflated and just waiting for that mischievous child with a pin.

  The second thought that crossed the passenger’s minds was, "Jesus I hope he's not sitting next to me". The great bulk had now dropped onto the end of a row of upholstered bench seats. The fat arse spilling out in all directions confined only slightly by the single arm rest that now disappeared into the folds of fat. Several of the passengers had realised they now shared a common point of focus and they exchanged looks of understanding comrades. There was no sympathy here for the oversized, no understanding of a possible glandular problem, and no pity for a fat man. Nobody wanted to be wedged in their seat by an overspill of blubber, clamped by a rubber rissole or squashed in any way by this elephantine form. Other passengers fumbled with their boarding passes, checking their seat numbers, as if there they might find some sort of comfort or reassurance. That, just maybe they would find some special stamp indicating that they were indeed seated well out of the way of any supersized barely human forms. The fat man's colossal blue cotton shirt was stretched way beyond the call of the manufactures specifications as buttons and stitching alike strained under the immense force of constricted fatty tissue.

   Then out of the mouth of babes, the spider limbed blue eyed princess of a child turned to her mother saying, "Mummy look at that fat man". All eyes including that of the mother now transferred their attention to this girl who dared to utter such a politically incorrect statement. There were looks of hypocritical disapproval as well as smirks of mutual unvoiced self-recognition. Now nobody dared to stare at the fat man. Their eyes became fixed with exaggerated intent on reading their magazine, their papers or the list of today’s specials on the chalk-board above the buffet shop counter. They desperately hoped that the flight would not be fully booked and tried in vain to estimate their numbers in relation to the size of the seemingly too smaller craft that sat waiting for them on the tarmac. Perhaps with luck this hippo of a man would be allocated a full three seats between window and isle for surely two economy seats would not be sufficient.

   The plane was now refuelled and ready for boarding. No need to repeat the announcement as all the passengers on hearing their flight number rose as one leaving the fat man still glued to his seat. All seemed intent on boarding before the great bulk as if this in itself would be enough to ensure a safe non wedged seat. The fat man gave a sigh and looked to the floor in defeat. He would await his rightful place, last to board thought the other passengers.

   Not so. The fat man placed one pudgy hand on each knee and pushed himself into a more or less vertical stance. Then taking grip of his hand luggage he ambled towards the check in desk ignoring all the fellow passengers standing in line. Faces turned hostile and disapproving. Who did he think he was, this lard arse trying to queue jump? What does he think he’s doing ignoring us all as if he owns the place? The stewardess would sort him out soon enough, put him in his place, and make him wait at the back while she catered for the seating arrangements of the slimmer customers.

   The fat man was now at the desk and in one easy movement swung his hand luggage onto the counter.

"Good morning Carol", his surprisingly cheery voice boomed from way down in his cider barrel of a chest.

"Full quotas for the Sydney run this morning".

"Yes Sir", replied the pinch faced and over powdered stewardess.

The fat man was unzipping his luggage and the queue was getting more hostile as they shuffled forwards as if to prevent any possible chance of the fat man pushing in before them. He could wait his turn. His rightful place was at the back.

    He pulled out a jacket from his small black zippered bag and at first the gold braid was not apparent, but as he slipped one arm in and Carol proceeded to help him with the other the epaulets became visible to all. Then from his bag he produced his cap a disproportionately small topping to this vast hayloft of a man. He turned to the queue of staring faces and with a large grin and the slightest of bows forward that remained muffed within his bulk, he introduced himself. "Good morning ladies and gentlemen, Captain Willkie, your pilot for this morning’s flight". 

               

 

 

 

 

         

 

      

 

           

 

 

 UP-CYCLING OR DOWN-CYCLING?

That is the question, whether it is sufficient simply to paint it off white, and pretend that you’ve transformed your grandmother’s old sewing table into a sheik bedside lamp table, or whether one would do better to lavish a little TLC on it and continue to use it for what it was intended. Banjo Beale in his book Wild Isle Style quoted me as cheekily reversing the sense of up to down cycling, but I was serious, deadly serious. I have seen some horrors in my time, and sometimes the sad looking items of furniture are pleading with me to rescue them. We used to term these pieces hospital jobs in the antique trade, since the time taken to bring them back to their former glory far outweighed any monetary recompense. One such piece was a rare late 17^th century oak chest of drawers, which had been painted pink, covering the original English chinoiserie lacquer. It took many hours of patient scraping to restore it to its former glory, and for many years it stood in my studio on a high stand and appeared in many of my early paintings. Today it sits lower on bun feet, gracing the back wall of my parlour.

A couple of weeks ago I found this child chair in Bethesda charity shop in Stornoway. It had the look, but, oh dear, what indignities had been lavished on it in the name of up cycling. The ubiquitous coat of pink paint along with over stuffed seat and back, with a totally inappropriate chequered gingham cotton had transformed it into a sad sack that would now, even with a price tag of £2 be very unlikely to find a buyer. But then it caught site of me and knew that all was not lost. Here was a man who could see its potential and would be prepared to give it a new lease of life.

I can only imagine that it was the person’s first encounter with a staple gun, since they had gone totally berserk with the new toy. There were literally hundreds of staples and it took way longer than I had envisaged to remove them.

 The end result was a cane back child’s chair from around 1900. The caning had long since gone, but I had another idea for that. I reupholstered the seat with a piece of my own tweed, making sure to leave the original show wood, and on the back using the original cane holes I wove in four ply wool. This I consider to be up cycling in the true sense.

 Another example was a couple of bedroom chairs I rescued from a local house. One had been chucked out into the garden because it had a major infestation of wood worm in the back. Unlike the supermarket bargains of buy one and get one free, I was about to get two and make one.

 The front legs of both chairs were in good condition and so I decided to transform them into an upholstered stool. Once again I used my own tweed, adding a cluster of five buttons to ensure the stuffing stayed in place.