I was born on a small pig farm in the Cotswolds but left for
the Mull of Kintyre at barely two years of age. When just a toddler my brother
and myself managed to open all the doors to the pig stys, not satisfied with
allowing all the Wessex saddle back sows and their piglets to mingle in the
outer yard we then let out the boar. When we were discovered my father dragged
us back to the house and in the kitchen declared to my mother that “Your
children have let all the pigs out”. Given that the pigs were seriously large
beasts our safety might have been called into question but with my father the
farm animals took priority.
Forty years on I painted his prize winning Wessex saddleback
pig that took first in 1955 Smithfield show. Shortly afterwards a series of pigs
followed during the preparation for a primitive farm animal exhibition.
Now my attention has once again been drawn back to pigs with
a commission to stitch a pig. Commissions are something that in the past I have
fought shy of since the requests are seldom of interest but a pig that’s
different. I decided on a large white boar and to treat the subject very much
as a naïve 19th century animal portrait.
Having completed the Large White Boar I wanted to see what
effect a stump work pig on tweed would make and so started stitching a
Gloucester Old Spot sow. I then read that this breed did not just come in black
spots on a white ground.
The Gloucester Old Spots throughout its long history
has been bred on utility lines with the sole idea of producing the finest
quality bacon in the most profitable manner. The pig proved a particular
favourite with bacon curers, mainly owing to the large amount of lean meat in
comparison to fat; the bacon is streaky and of first rate quality. By the
beginning of the twentieth century its fame had spread throughout the world and
in 1919 at the Royal Agricultural Show in Cardiff a boar was sold for 600
guineas. The characteristics of a champion is to have a medium length head;
wide between the ears, a wide but medium sized nose with rather long and
drooping ears; the neck fairly long and muscular with the sides very deep and
presenting a rather drooping bottom line; the belly and flank, full and thick with
the tail set high of moderate size and carrying a strong brush. The skin colour
should be white spots on black ground, or black spots on white ground with hair
long and silky with an absence of mane bristles.
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